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es problems when the picture is paused If objects in the video are moving, they end up in a different position in each field When two fields are shown together in a freeze-frame, the picture appears to shake Film transfer processes are now capable of producing 24 frames per second (fps) masters that are recorded to server and hard drive arrays (Thie film may have been shot or telecined at 23976, but we will use 24 fps for both cases) By eliminating a videotape recording from the transfer process, the native film rate is preserved and allows the encoding process to smoothly move to an encoded video stream that can be presented at the 24 frames per second rate Some widescreen displays are capable of reproducing the 24p fps imagery which, in virtually all instances, requires an HDMI connection between player and display.

spectral selectivity is achieved at the receiver end, for example with a grating-based optical spectrum analyzer. (b) Tunable source technique, where spectral selectivity is achieved at the source end. This technique requires coordination between the tunable source and the power meter.

The output from this program is shown here:

9- 1 1

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See 7, Players, for more information about HDMI The 24 fps transfer process precludes the tedious and error-fraught method of generating a transfer master that accommodates display at the 5994 frame rate of standard televisions That, however, does not exempt the likely display of the encoded footage at that ol bugaboo rate of 60 video fields per second (Yes, we ve again taken the low road and used 60 when it s really 5994) Further, for legacy films that had previously been transferred to videotape, a transfer method was instituted that took the film running at 24 progressive frames per second (fps) and displayed it at the rate of 60 video fields per second.

char str[80], *p1; p1 = str;

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This is done with a film telecine machine using a process called 2-3 pulldown, where one film frame is shown as two fields, and the following film frame is shown as three fields (see Figure 228) This 2-3 pulldown pattern results in pairs of 24-per-second film frames converted to 60per-second TV fields ([2+3] 12=60) Unfortunately, this causes side effects One is that film frame display times alternate between 2/60 of a second and 3/60 of a second, causing a motion judder artifact a jerkiness that may be visible when the camera pans slowly Another side effect is that two of every five television frames contain fields derived from two different film frames, which does not cause problems during normal playback but can cause problems when pausing or playing in slow motion A minor problem is that video actually plays at 5994 Hz, so the film runs 0.

You can apply the l modifier to the n specifiers to indicate that the corresponding argument points to a long integer. You can specify the h modifier to indicate the corresponding argument points to a short integer. The # has a special meaning when used with some printf( ) format specifiers. Preceding a g, G, f, e or E specifier with a # ensures that the decimal point will be present even if there are no decimal digits. If you precede the x format specifier with a #, the hexadecimal number will be printed with a 0x prefix. When used with the o specifier, it causes a leading 0 to be printed. The # cannot be applied to any other format specifiers. The minimum field width and precision specifiers may be provided by arguments to printf( ) instead of by constants. To accomplish this, use an * as a placeholder. When the format string is scanned, printf( ) will match * to arguments in the order in which they occur.

1 percent slow and the audio must be adjusted to match Displaying film at the rate of 50 video fields per second is simpler and usually is achieved by showing each film frame as two fields and playing it 4 percent faster30 This is sometimes called 2-2 pulldown, and is used extensively in PAL countries, where 25 fps is the norm When an encoder processes video made with 2-3 pulldown, it would be inefficient to encode the extra fields, so the encoder recognizes and removes the duplicate fields This is called inverse telecine (no, it s not called 3 2 pushup) But, when the goal is to present 24p material on a 5994 display, the encoder adds flags in the data stream that indicate which fields to show when and which fields to repeat when.

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