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Cultivate People Who Feed Your Soul Create a Life Board of Directors Now you can add your own customized questions to the list, questions that will best suit your specific needs The responses you give will help reveal to you the names of the people who are most qualified to sit on your life board of directors those who are most in alignment with your goals This board will become your inner circle of support There may only be five or six people on your board, or there may be a dozen or more Quality is what s important here, not quantity Now go back to the beginning of this exercise and write the names of your board members around the table After you do this, take a separate sheet of paper and write the board members names on it Under each name, write why you have selected this person and what you expect to gain from this person s influence:

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Signed Value 2147090430 2147090429 2147090428 2147090427 2147090426 2147090425 2147090424 2147090423 2147090422 2147090421 2147090420 2147090419 2147090418 2147090417 2147090416 2147090415 2147090414 2147090413 2147090412

Unsigned Value 2147876866 2147876867 2147876868 2147876869 2147876870 2147876871 2147876872 2147876873 2147876874 2147876875 2147876876 2147876877 2147876878 2147876879 2147876880 2147876881 2147876882 2147876883 2147876884

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Preview the scene through your viewfinder or LCD monitor Be aware of any obvious problems, like garbage cans in the background Also be on the lookout for trees or telephone poles that appear to be growing out of your subject s head If you have the time, move around the scene and photograph it from several angles If you get in the habit of observing everything that s in the viewfinder, your composition skills will improve and your pictures will look more professional After a while, observing subtle details will become second-nature Imagine a grid of nine squares over your scene, and place your center of interest where two gridlines intersect This is known as the Rule of Thirds The image in Figure 3-1 was composed with the cellist as the center of interest Focus on your center of interest For more information on focusing, see 2 Shoot the picture

Mnemonic IMA_RESULT_CONTEXT_NOT_ FOUND IMA_RESULT_VALUE_NOT_ FOUND IMA_RESULT_DATA_NOT_ FOUND IMA_RESULT_ENTRY_LOCKED IMA_RESULT_SEARCH_HASMORE IMA_RESULT_INCOMPLETE IMA_RESULT_READEXCEPTION IMA_RESULT_WRITEEXCEPTION IMA_RESULT_LDAP_ PARTIALINSTALL IMA_RESULT_LDAP_NOTREADY IMA_RESULT_BUFFER_TOO_ SMALL IMA_RESULT_CONTAINER_NOT_ EMPTY IMA_RESULT_CONFIGURATION_ ERROR IMA_RESULT_GET_BASEOBJECT IMA_RESULT_GET_ DERIVEDOBJECT IMA_RESULT_OBJECTCLASS_ NOTMATCH IMA_RESULT_ATTRIBUTE_ NOTINDEXED IMA_RESULT_OBJECTCLASS_ VIOLATION IMA_RESULT_ENUMFAIL

4 5

Table A-1 IMA Error Codes (Continued )

EXAMPLE:

Appendix A:

camera However, if your subject is vertical, rotating the camera 90 degrees will give you a more interesting composition For example, if you re photographing a tall waterfall or shooting a head-and-shoulders portrait, rotating the camera 90 degrees, which is known as

Hex Value 80060015h 80060016h 80060017h 80060018h 80060019h 8006001Ah 8006001Bh 8006001Ch 8006001Dh 8006001Eh 80060033h 80060034h 80060035h 80060036h 80060037h 80060038h 80060039h

90 degrees if your subject is vertical The image shows Bridal Veil Falls in Yosemite National Park as photographed with the camera rotated 90 degrees

Signed Value 2147090411 2147090410 2147090409 2147090408 2147090407 2147090406 2147090405 2147090404 2147090403 2147090402 2147090381 2147090380 2147090379 2147090378 2147090377 2147090376 2147090375

__________________________________________________________

Unsigned Value 2147876885 2147876886 2147876887 2147876888 2147876889 2147876890 2147876891 2147876892 2147876893 2147876894 2147876915 2147876916 2147876917 2147876918 2147876919 2147876920 2147876921

42 42

Mnemonic IMA_RESULT_ENUMNODATA IMA_RESULT_DBCONNECT_ FAILURE IMA_RESULT_TRUNCATE IMA_RESULT_DUPLICATE IMA_RESULT_PS_ NOTINITIALIZED IMA_RESULT_USING_ORACLE_7 IMA_RESULT_USING_ORACLE_8 IMA_RESULT_USING_ORACLE_ UNKNOWN IMA_RESULT_LOAD_DAO_ ENGINE_FAILED IMA_RESULT_COMPACT_DB_ FAILED IMA_RESULT_ODBC_NO_ CONNECTIONS_AVAILABLE IMA_RESULT_CREATE_SQL_ ENVIRONMENT_FAILED IMA_RESULT_SQL_EXECUTE_ FAILED IMA_RESULT_SQL_FETCH_ FAILED IMA_RESULT_SQL_BIND_ PARAM_FAILED IMA_RESULT_SQL_GET_ COLUMN_DATA_FAILED IMA_RESULT_REPLICATED_ DATA_CONTENTION

You can also use parts of the scene to compose the photograph For example, converging horizontal lines can be an ideal element to draw a viewer into the scene, as shown in the illustration

Table A-1 IMA Error Codes (Continued )

__________________________________________________________ __________________________________________________________ __________________________________________________________

Hex Value 8006003Ah 8006003Bh 8006003Ch 8006003Dh 8006003Eh 8006003Fh 80060040h 80110104h 80110105h 80130001h 80130002h 80130003h 80130004h 80130005h 80130006h 80130007h 80130008h

Another important decision you make when taking a photograph is how much of the scene will be in focus If you re photographing a landscape, you want everything in the scene to be in focus; when photographing a person or group of people, you don t want the background to distract from the subject matter If you have a camera capable of capturing images in aperture priority mode, you determine how much of the scene is in apparent focus (known as depth of field) by choosing the proper f-stop If you have a pointand-shoot camera, you can determine how much of the scene is in focus by choosing the proper shooting mode For more information on f-stops and depth of field, see 2

Signed Value 2147090374 2147090373 2147090372 2147090371 2147090370 2147090369 2147090368 2146369276 2146369024 2146238463 2146238462 2146238461 2146238460 2146238459 2146238458 2146238457 2146238456

4 5 6

Unsigned Value 2147876922 2147876923 2147876924 2147876925 2147876926 2147876927 2147876928 2148598020 2148598272 2148728833 2148728834 2148728835 2148728836 2148728837 2148728838 2148728839 2148728840

1 Switch to aperture-priority shooting mode 2 Analyze the scene through your camera s viewfinder or LCD viewer 3 Rotate the control on your camera that sets the f-stop Select an f-stop

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