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First let s look at the event. You ll subscribe to SampleDataEvent.SAMPLE_DATA. When you receive this event, Flash Player is asking for more audio samples to play. Regardless of when you get this signal, the SampleDataEvent event object tells you where in the audio stream it needs more data. You need to ll up the buffer with a continuous sound, but you re doing it piecemeal, so you need to make sure that every chunk of audio you add to the buffer lines up with the last. The SampleDataEvent object tells you where the requested sample goes in the audio stream with its position property. The position in the stream is measured in number of samples at a sample rate of 44.1 kHz (so a request with a position of 88200 starts 2 seconds into the audio stream). The other property of SampleDataEvent is data, an empty ByteArray it provides you to ll up with data. Flash Player wants you to write between 2,000 and 8,000 samples in the buffer for every request. The less you provide, the more likely it is that the buffer will run out between calls to ll it up if Flash Player becomes busy. Write in raw audio data as a wave with Number values between 1.0 and 1.0, at a sample rate of 44.1 kHz, alternating left and right channels. Let s look at a simple example in Example 31-6.



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for some z1 in the Cave Table. We select a putative ( K GK7), and a particu, lar z. Then we test each z1 that is in the Cave Table, by computing

(22.27)

EXAMPLE 31-6





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package { import flash.display.Sprite; import flash.events.SampleDataEvent; import flash.media.Sound; public class ch31ex6 extends Sprite { public function ch31ex6() { var sound:Sound = new Sound(); sound.addEventListener(SampleDataEvent.SAMPLE_DATA, onBufferSound); sound.play(); } protected function onBufferSound(event:SampleDataEvent):void { //for every sample, from the requested position through 8k samples later for (var t:int = event.position; t < event.position + 8192; t++) { //to generate a wave with any amplitude (volume) and frequency (pitch) //amplitude * sin(frequency * time) //the sin of this has 1 peak every seconds--is a 1Hz wave var tNormalized:Number = (t / 44100) * (2 * Math.PI); //write middle-C (261Hz) at full (1.0) volume to the LEFT channel event.data.writeFloat(1.0 * Math.sin(tNormalized*261.626)); //write G4 (392Hz) at low (0.2) volume to RIGHT channel event.data.writeFloat(0.2 * Math.sin(tNormalized*391.995)); } } } }

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and looking up the value of Ax,u.If for any z we find that every z1 in the Cave Table yields Ax,v = 0, then the choice of ( K G , K must be incorrect. This ~) will reduce the number of possible partial keys ( K 6 ,K7), with the number of survivors depending on the amount of information available in A, which, in turn, depends on the number of known plaintexts. Typical results for this secondary phase of the SCMEA attack are given in Table 4.9. Table 4.9: Number of Surviving Known plaintext blocks Partial keys (K6,K7)

In this example, you generate two sine waves. Air vibrating in a perfect sine wave like this produces this perfect although a bit boring tone. By alternating writing values, you can write to the left and the right channel independently, so the two alternating calls to writeFloat() produce two stereo channels. To play a mono sound, just write the same value twice. You might also notice that a chunk of 8,000 samples actually has 16,000 oating point numbers in it. If you want to see how synthesized sound can improve an application, you might want to check out Example 37-5. In this example, you ll use lters along with sound synthesis to implement a repeating memory game. Check it out at http://actionscriptbible.com/ch37/ex5. The sound code is almost identical to the simple sine generator in Example 31-6, but with a fade-out. Have fun! With some simple waves sine, square, sawtooth some noise, and some envelopes and effects, you can create a full range of retro sound. There are plenty of books and articles on audio synthesis. This series that spans ve years of articles is superb: http://bit.ly/ e reid-synth-secrets. Or visit Andr Michelle s lab to have your mind blown with what you can do with Flash Player audio: http://lab.andre-michelle.com/tag/audio/.

Now that you ve seen what s possible, let s take a short sanity check. It s not a great idea to create an application that relies on audio alone. There are those of us who are hard of hearing or deaf and those of us who don t have audio support on our computers. For the former category of users, you should come up with a strategy to support them, for example, providing a dialog to enable visual cues where audio would otherwise be used. For the latter category, you can check whether the client s computer has audio support by using the Capabilities class. The static Capabilities.hasAudio and Capabilities.hasStreamingAudio properties of this class tell you if the client can support sound or streaming sound les. Here s a simple check:

(K6,K7)

t1 =

if (Capabilities.hasAudio) { trace("Audio OK!"); } else { trace("Audio not available"); }

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